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Examples

  • Take out that "antag" and your protag can just waltz in and win with no struggle.

    Enemy Mine Janice Hardy 2010

  • It made me realize that I talk a lot about antag's being other people, but that's not the only type of antag there is.

    Enemy Mine Janice Hardy 2010

  • Being inside the mind of your antag can steal some of that tension because the mystery is all gone.

    Archive 2010-01-01 Janice Hardy 2010

  • All the pieces are there, but the feeling that the antag is really trying just isn't.

    Re-Write Wednesday: Oh, That's Subtle Janice Hardy 2010

  • My protag is now face to face even if that's not literal with their antag and the fight is on.

    Archive 2010-01-01 Janice Hardy 2010

  • Act Three End - Protag has acted in ways to bring them in direct conflict with the antag, it's do or die, all or nothing time.

    I Love it When a Plan Comes Together, Part One Janice Hardy 2010

  • Likewise I think climaxes should be protag vs antag, with no group situation; just one-on-one.

    Tanya Huff’s SMOKE AND ASHES « Urban Fantasy Land 2008

  • This is the bulk of my novel, where the protag is trying to solve their problems, the antag keeps getting in their way, the stakes keep escalating and everything leads to the Mid-Point Reversal.

    I Love it When a Plan Comes Together, Part One Janice Hardy 2010

  • Being inside the mind of your antag can steal some of that tension because the mystery is all gone.

    From the Mind of Evil Janice Hardy 2010

  • The Act Three End will put your protag face to face with the antag and it'll be the fight of the century.

    Archive 2010-01-01 Janice Hardy 2010

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