ch'io

But has there ever been a better portrayal of the exhaustion of despair than "Lascia ch'io pianga"?

Spend some time and rock a rhyme / I said, It's not that easy Matthew Guerrieri 2009

But has there ever been a better portrayal of the exhaustion of despair than "Lascia ch'io pianga"?

Archive 2009-02-01 Matthew Guerrieri 2009

Anett Fritsch Almirena achieved unadorned intensity in "Lascia ch'io pianga" and Brenda Rae showed fire-breathing flair as the sorceress Armida.

Cendrillon; Rinaldo – review 2011

Voi che ˜ntendendo il terzo ciel movete, udite il ragionar ch™Ã¨ nel mio core, ch'io nol so dire altrui, sì mi par novo.

Dante Alighieri Wetherbee, Winthrop 2006

Filarete wrote in 1464: Ancora a me solevano piacere questi moderni; ma poi, ch'io comenciai a gustare questi antichi, mi sono venuti in odio quelli moderni ....

Dictionary of the History of Ideas GIORGIO TONELLI 1968

Even to-day, when many of us hear for the first time the airs 'Lascia ch'io pianga' and 'Cara sposa,' we seem to fall at once under the spell of their charm; and can we not imagine the effect which these beautiful songs produced upon the Londoners of nearly two centuries ago, as they were voiced by the great singer Nicolini?

Story-Lives of Great Musicians Francis Jameson Rowbotham

Opus 13 is a "Sonnet," based, after the plan of Liszt, upon a lyric of Petrarch's, a beautiful translation from his "Gli occhi di ch'io parlai si caldamente."

Contemporary American Composers Being a Study of the Music of This Country, Its Present Conditions and Its Future, with Critical Estimates and Biographies of the Principal Living Composers; and an Abundance of Portraits, Fac-simile Musical Autographs, and Compositions Rupert Hughes 1914

Lascia ch'io pianga, Handel; Raff's Cavatina for contralto; Millard's

Sixty Years of California Song Margaret Blake Alverson 1879

'Se fra i mali de l'animo, uno de'più gravi è l'ambizione, egli ammalò di questo male già molti anni sono, nè mai è risanato in modo ch'io abbia potuto sprezzare affatto i favori e gli onori del mondo, e chi può dargli' (_Lettere_, vol.iii. p. 56).

Renaissance in Italy, Volumes 1 and 2 The Catholic Reaction John Addington Symonds 1866

Sino un reumatismo, che m 'aveva afferrato per un braccio, s' e dileguato, così ch'io farei ora alla lotta col più valente marinaro calabrese che sia.

Notes and Queries, Number 201, September 3, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc Various 1852