productions

Ms. Skrapec was writing at a time when Hollywood seemed preoccupied with women who commit crimes — in productions like “The Burning Bed,” the 1984 television film in which a battered wife finally sets her sleeping husband aflame, and “Thelma & Louise” (1991), in which a pair of women go on a outlaw spree after one of them is threatened with rape.

that sorry excuse for a woman has a hole in her soul. intertribal 2010

Robert - yeah, creating "indie" productions is of course one way of circumventing Hollywood and the Hollywood-mentality.

Racebending and Integration Hal Duncan 2010

The character development is minimal at best, but then you expect that in productions like this.

23 « April « 2009 « Axiom's Edge Science Fiction and Fantasy 2009

Ms. Skrapec was writing at a time when Hollywood seemed preoccupied with women who commit crimes — in productions like “The Burning Bed,” the 1984 television film in which a battered wife finally sets her sleeping husband aflame, and “Thelma & Louise” (1991), in which a pair of women go on a outlaw spree after one of them is threatened with rape.

intertribal: that sorry excuse for a woman has a hole in her soul. intertribal 2010

Like so many other productions from the Halmi clan, it has a good story at its core (usually because of the source material), but instead of working from that they just pile on the genre clichés along with hackneyed scenes and copy-and-paste dialogue.

April « 2010 « Axiom's Edge Science Fiction and Fantasy 2010

The character development is minimal at best, but then you expect that in productions like this.

April « 2009 « Axiom's Edge Science Fiction and Fantasy 2009

Like so many other productions from the Halmi clan, it has a good story at its core (usually because of the source material), but instead of working from that they just pile on the genre clichés along with hackneyed scenes and copy-and-paste dialogue.

Television Review: Riverworld 2010

We claim that we become better consumers as a benefit of our artistic productions: is it a specifically female argument to say that fanworks increase the value of the original?

Archive 2009-04-01 Rebecca Tushnet 2009

The character development is minimal at best, but then you expect that in productions like this.

Television Review – Knights of Bloodsteel 2009

Like so many other productions from the Halmi clan, it has a good story at its core (usually because of the source material), but instead of working from that they just pile on the genre clichés along with hackneyed scenes and copy-and-paste dialogue.

21 « April « 2010 « Axiom's Edge Science Fiction and Fantasy 2010