Definitions
from The American Heritage® Dictionary of the English Language, 5th Edition.
- noun A verse form first used by the Provençal troubadours, consisting of six six-line stanzas and a three-line envoy. The end words of the first stanza are repeated in varied order as end words in the other stanzas and also recur in the envoy.
from The Century Dictionary.
- noun A poem in fixed form, borrowed from the French, and said to have been invented by the Provençal troubadour Arnaut Daniel (thirteenth century).
from Wiktionary, Creative Commons Attribution/Share-Alike License.
- noun a highly structured
poem consisting of six six-line stanzas followed by atercet orenvoy , for a total of thirty-nine lines.
Etymologies
from The American Heritage® Dictionary of the English Language, 4th Edition
from Wiktionary, Creative Commons Attribution/Share-Alike License
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Examples
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A sestina is a fixed verse form in which six end-words recur in a set order in six stanzas and a three-line envoi (a coda or postscript).
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A sestina is a highly organized poem with 6 6-line stanzas.
Short Story Monday - Smoke and Mirrors Part V Stephanie 2008
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A sestina is a highly organized poem with 6 6-line stanzas.
Archive 2008-01-01 Stephanie 2008
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The sestina is a lot like a household as seen by a child.
Remarks At Millennium Lecture Series ITY National Archives 1998
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The Mona Liza is a sort of riddle, an acrostic, a poetical decoction, a ballade, a rondel, a villanelle or ballade with double burden, a sestina, that is what it is like, a sestina or chant royal.
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Lassus’s older style is not completely absorbed by these novelties, and in a few pieces his earlier madrigals are recalled the sestina Quando il giorno.
Archive 2009-06-01 Lu 2009
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The strictures of the sonnet or villanelle or sestina drive you to see what can be done within those strictures.
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You get the feeling that, like the villanelle or sestina, concrete poetry is now something that poets try their hand at as a demonstration of their virtuosity rather than a poetic tactic or affinity.
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You get the feeling that, like the villanelle or sestina, concrete poetry is now something that poets try their hand at as a demonstration of their virtuosity rather than a poetic tactic or affinity.
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Poets behave badly, a Famous Poet once wrote to me after I complained about how another poet sent me a flurry of angry emails for rejecting his sestina.
On leaving the scene 2009
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