speed-of-light

With the speed-of-light growth of Social Media, the telephone has been left behind.

Carolyn Ziel: Reach Out and Touch Someone -- With Your Telephone Carolyn Ziel 2011

With the speed-of-light growth of Social Media, the telephone has been left behind.

Carolyn Ziel: Reach Out and Touch Someone -- With Your Telephone Carolyn Ziel 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011

If the program were cut short, they argued, "the promise of speed-of-light and extreme precision in the hands of the warfighter will disappear, as will the fragile industrial base that supports it."

Pentagon Loses War to Zap Airborne Laser From Budget Nathan Hodge 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011

But while an impersonal and universal vision defines the lyrical visions of such avant-garde film patriarchs as Stan Brackhage, Michael Snow and Hollis Frampton, or even Stanley Kubrick's famous speed-of-light finale for 2001: A Space Odyssey, Malick, like Ingmar Bergman, is drawn to the specific case story that the universe, or God, spits out on the human scale familiar to us.

G. Roger Denson: Terrence Malick's Tree of Life Plays Garden of Eden to the Family of Man G. Roger Denson 2011