Definitions
from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- noun composer and piano virtuoso born in Russia (1873-1943)
Etymologies
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Examples
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The soloist in the Rachmaninov is a rather interesting youngster, Denis Matsuev, who is 30 and a Tchaikovsky Competition Winner incidentally, a former pupil of the same legendary professor who taught Nikolai Lugansky pre-Tchaik Comp win.
Why is Faure like the No.28 bus? Jessica 2005
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The soloist in the Rachmaninov is a rather interesting youngster, Denis Matsuev, who is 30 and a Tchaikovsky Competition Winner incidentally, a former pupil of the same legendary professor who taught Nikolai Lugansky pre-Tchaik Comp win.
Archive 2005-11-01 Jessica 2005
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And again, some of her favorite music, such as Rachmaninov's "Oh Virgin, Mother of God Rejoice," was her favorite piece of her music.
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They clearly love playing for him and grabbed every opportunity to thrill us with their classy reading of Rachmaninov's arching, aching second symphony, which was a perfect companion for the evening's curio, Glière's Concerto for coloratura soprano and orchestra though nearly 40 years apart, they share the same lush, chromatic harmonic language.
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European emigre classical pianists, from Sergei Rachmaninov to Vladimir Horowitz and Arthur Rubinstein, were among the fans of a virtuoso who could throw off improvised pieces as complex and orchestral in scope as the most advanced classical piano compositions.
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Rachmaninov gave the work's premiere in New York two years later, by which time he had left Russia to live out his days in melancholy exile.
CBSO, Stephen Hough/Nelsons; Bamberg Symphony Orchestra/Nott – review 2012
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This exhilarating concert, which started with Strauss's youthful Tod und Verklärung, had the unimpeachable bonus of Stephen Hough as soloist in Rachmaninov's Piano Concerto No 1.
CBSO, Stephen Hough/Nelsons; Bamberg Symphony Orchestra/Nott – review 2012
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European emigre classical pianists, from Sergei Rachmaninov to Vladimir Horowitz and Arthur Rubinstein, were among the fans of a virtuoso who could throw off improvised pieces as complex and orchestral in scope as the most advanced classical piano compositions.
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All were unashamedly post-Romantic in style and the two here, part of Gerard Schwarz's fine Hanson cycle with the Seattle Symphony, are couched in a language somewhere between Sibelius and Rachmaninov.
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Vladimir Ashkenazy's 1970s recordings of Rachmaninov's concertos and works for solo piano remain among the finest of this repertoire.
Rachmaninov: Piano Sonata No 1; Chopin Variations – review 2012
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