The Abyss

Cameron, who was now pursuing The Abyss and Terminator 2, declined to return for a third film and the studio embarked on a very lengthy hunt for a writer and director for the third film.

Specieswatch: The Alien Adam Whitehead 2010

Cameron, who was now pursuing The Abyss and Terminator 2, declined to return for a third film and the studio embarked on a very lengthy hunt for a writer and director for the third film.

Archive 2010-05-01 Adam Whitehead 2010

Likewise, it greatly helped my visualizations of The Abyss and the Middle Lands.

Author Guest Blog: Stephen Zimmer, Author of Rising Dawn Saga and Fires of Eden Series Cindy 2010

That said, you can see why Cameron got involved in this, the claustrophobia echoes that of The Abyss, and Clooney gives a pretty meaty performance alongside a pre-Doubt hype Viola Davis and weirdy beardy Jeremy Davies.

Top Ten Works of James Cameron | Obsessed With Film 2009

CGI was part of the conversation before, it ad appeared in Tron, Young Sherlock Holmes, and Last Crusade, and – of course – The Abyss, but with Terminator 2: Judgment Day, there was a huge paradigm shift.

TERMINATOR 2 Skynet Edition Blu-ray Review – Collider.com 2009

I looked at this man, topless, surrounded by water and flashbulbs, wearing a complicated scuba mask and looking like something out of The Abyss 2.

Archive 2006-05-01 Michelle Collins 2006

I looked at this man, topless, surrounded by water and flashbulbs, wearing a complicated scuba mask and looking like something out of The Abyss 2.

There are five* letters in the word Blaine. Now, if you mix up the letters in the word Blaine, mix 'em around, eventually, you'll come up with Nebali Michelle Collins 2006

Tay came over and we watched The Abyss, and Lord of the Rings, god thats a great movie ...

jenna-bear Diary Entry jenna-bear 2002

They are above The Abyss, and contain all con - tradiction in themselves.

Yahoo! News: Business - Opinion 2010

'Ambling Alp' you'll know already; a rollicking beast that's one of the most un-pop yet perfect pop songs you'll ever hear, packed with juddering drum thunder, leaps of falsetto and shoehorned brass blasts (its video, incidentally, featuring as it does naked bodies rolling down desert slopes, mirror-faced boxers and visual effects straight out of The Abyss, is enough to dispel any accusations of overly commercial ambitions several times over).

NME Features 2010