Vignola

Chef Michael Vignola 's menu roves the region, with stops in Savannah (honey), Charleston (shrimp) and New Orleans (muffaletta).

Northern Migration Monica Williams 2011

"What I love about Southern food is that everyone eats the animal head to tail," said Mr. Vignola, a New York native, citing his affinity for the pig.

Northern Migration Monica Williams 2011

Cherries* - Dehydrofreezing, cultivar selection (S. Gobbi et al.), Physicochemical characteristics and antioxidant activity of sweet cherries (M. Plessi et al.), Use of nets against fruit cherry fly (V. Ughini et al.), The slow food "presidium" of traditional Vignola cherries (S. Zocca).

John Tepper Marlin: Green Edge 4: Organic Fruit Worth the Premium 2008

"Someone might have a very old house," says Vignola, "and brand-new paint and wallpaper don't look right."

Of Walls And Wanting 2008

Philibert Delorme, -- shocked at the naked humanity in the new works, and would cover it with the conventional fig-leaves prescribed in the homilies of Vignola.

The Atlantic Monthly, Volume 08, No. 45, July, 1861 Various

BAROCCHIO (or BAROZZI), GIACOMO, called DA VIGNOLA (1507-1573), Italian architect, was born at Vignola in the Modenese territory on the 1st of

Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 "Banks" to "Bassoon" Various

It was built by the great Vignola in 1547, and although slightly showing the wear of time, has all the beauty and charm and romance which only centuries can give.

Furnishing the Home of Good Taste A Brief Sketch of the Period Styles in Interior Decoration with Suggestions as to Their Employment in the Homes of Today Lucy Abbot Throop

Maderna was one of the first who, in the completion of St. Peter's, was strongly influenced by Vignola.

The Catholic Encyclopedia, Volume 15: Tournely-Zwirner 1840-1916 1913

A theoretical and practical architect of the Transition Period between the Renaissance and Baroque styles; b. at Vignola in 1507; d. in 1573.

The Catholic Encyclopedia, Volume 15: Tournely-Zwirner 1840-1916 1913

Here Vignola connected the dome with a nave, giving he latter such breadth and height, in contrast with the very narrow aisles, that the central space produces a preponderating effect, the aisles showing as mere rows of chapels.

The Catholic Encyclopedia, Volume 15: Tournely-Zwirner 1840-1916 1913