mandara

Here, or in the "mandara" [3] inside the house, the Arab host receives his male guests.

Peeps at Many Lands: Egypt R. Talbot Kelly 1897

And towards the end of his life he completed in 830 what has been considered to be his magnum opus, the Himitsu mandara jûjûshinron

Laughter 2009

The ri-hosshin is depicted in the Taizô mandara that expresses truths expounded in the

Laughter 2009

The Kongô-kai mandara (Srkt: Vajradhâtu mandala; “Vajra-realm mandala”) represents the “male priciple” and embodies the vajra-wisdom, a wisdom that is adamantine and imperishable and that illuminates and enfolds all beings.

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The form that this flowering takes is the mandala (Jpn: mandara).

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And the chi-hosshin is depicted in the Kongôkai mandara that expresses truths expounded in the

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Together they are called ryôbu mandara and represent a comprehensive unity.

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The “samaya mandala” (Skrt: samaya-mandala; Jpn: sanmaya mandara) pictures the Buddha-cum-universe through a variety of articles or signs, symbolizing the omnipresencing of Dainichi's intention (Skrt: samaya; Jpn: sanmaya).

Laughter 2009

The hosshin in its cosmic significance appears in the form or figure (sô) of a mandara (Skrt: mandala).

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Himitsu mandara jûjûshinron (Treatise on the Secret Mandala of the Ten States of Mind) in ten volumes, composed around 830, five years before his death.

Laughter 2009